Take your movie and trailer scores to the next level with this new cinematic percussion scoring tool kit from Red Room Audio - on sale for a limited time.
Good news for anyone looking for inspiration for their trailers, movie or TV scores. Red Room Audio has released SAGA: Acoustic Trailer Percussion – an extensive collection of thunderous drums, dynamic metals and other real-world acoustic percussion instruments that promise to provide impact and scale to your cinematic and trailer music. It's the anti-hybrid epic percussion library, ideal for grand-scale battle and dramatic historical contexts.
SAGA: Acoustic Trailer Percussion features a broad range of instruments and articulations recorded on a scoring stage, including orchestral and world drum ensembles, world drum soloists, cymbals and gongs, oil drums, anvils and a plethora of large metal slams, scrapes and crashes. Field recordings of giant silos, metal doors, machinery, tools and various small metals are also packed into this mammoth collection.
With over 100 instruments and an easy-to-use Kontakt GUI, SAGA offers plenty of performance and sound shaping options to suit your compositions.
Features
Orchestral and world drum ensembles
Cymbals and gongs
Oil Drums
World solo drums
Anvils and destroyed metals
Field recordings (simulated battle gear, tools, machinery, metal doors, tanks, giant silos)
Up to 7 dynamic layers and 10 round robin
Recorded in a fairly dry hall with 2 microphone positions
Multiple articulations (rolls, rims, edges, various sticks & mallets)
Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys.
A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications.
As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely.
Hollin is Contributing Editor at Ask.Audio.
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