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逻辑Pro X的教程:Flex的间距
David Earl on Tue, July 16th 6 comments
One of the marquee features in Logic Pro X is Flex Pitch. David Earl (aka. SFLogicNinja) dives in to showcase just how effective the pitch manipulation is and how it works.

Flex的间距,所有的伟大的Logic Pro X中包含的新功能,是一个真正的游戏规则改变者。来之前,许多公司都以奉献时间和俯仰操纵的,所以它的有趣的,看看苹果如何去改变比赛。还有很多细节,很多人可能会错过事故,如果他们werent仔细。苹果公司把自己的思维帽,使这个,想出了一些功能强大,灵活,...以及...光滑。


开始在Logic Pro X中的Flex间距

我们已经得到了一些人声调!为了让他们准备好,我们需要把关于Flex模式:

  1. 打开Flex的模式,通过点击按钮,在主窗口中的Flex模式
  2. 打开Flex的模式在轨道上的弯曲
  3. 选择FLEX间距从列表中可用的算法

Flex的间距中分离出来,其余的算法,因为我们可以惹间距以及时间。给我们Flex和瞬变标记,而是Flex的间距将使用笔记。一切看起来继承人如何在主窗口中:

Getting Flex Pitch going in the Main Window of Logic X.

在主窗口中的逻辑X Flex的间距


使用在主窗口中的注意事项

笔记Flex的间距检测显示为蓝线范围内的地区,我们要编辑非常薄。在主窗口中,我们都能够做到全球变化我们的音频区域的音高。 Flex的间距检测正确的音高,是相当不错的,我们也许能够编辑所有的音符,在主窗口中,并完成! (如果只有我们是如此幸运)

  1. 按住Shift,套索的音符在地区内进行调整安排窗口。
  2. 点击阴影区域内的说明,点击并按住,并拉下。
  3. 你会听到球场上被改变,球场时,靠近该地区的中心,票据应锁定在其完美的音调。
  4. 有一个听你的工作。

The Flex Pitch Tool displays a useful position and pitch readout.

Flex的间距工具显示一个有用的方位和俯仰读出。


与Flex的间距在主窗口中,我们提供了非常彻底改变。在寻找球场,Flex的间距是相当不错的,和校正通常是相当不错的,但得到正确地完成这项工作,我们将需要使用的音轨编辑器。


音轨编辑器与Flex的间距在工作

音轨编辑器是新的到的Logic Pro X,是一个美妙的方式,做精的编辑的Flex间距。要打开的音轨编辑器,只需双击在顶部的音频区域,是弯曲。

音轨编辑器的左侧,有一个督察,并显示在网格在右边的音符。检查员用于改变音高和时间的几个音符一次,它的右侧是电网音符都经过精心单独编辑。

Flex Pitch at work in the new Audio Track Editor.

FLEX间距在工作中,在新的音轨编辑器。


使用Flex的间距督察

使用Inspector,只需选择您要编辑的任何音符,然后选择下列操作之一:

  • 时间量化 -这需要票据及量化到一个网格,类似MIDI音符在钢琴卷帘窗编辑器
  • 规模量化 -这将限制到一个特定规模的音符的音高
  • 音高修正 -这将尝试改变这一切的球场,所以他们更接近自己的完美状态。一个滑块,这是可以做到的度
  • 增益 -这将调整增益任何选定的票据

The Inspector provides useful controls to manipulate the pitch of your audio files.

检查员提供有用的控制,操纵您的音频文件的音调。


于主窗口,检查员是更挑剔的,但细致的工作,它的建议和工作区域内个别票据。


热区

在区域面积检查员的权利,我们有注释。这些票据有六个热点区域。它们的左侧和右侧上,下角上,他们还发现上的顶部和底部的说明对面的中间。

这些热区执行以下功能:

  • 间距/漂移 -从一个音符的音高滑动到另一个
  • 颤音 -性能有点动摇?我们可以解决这个问题。
  • 微调 -仙,(100美分半音)
  • 增益 -增加和减少增益,并观看波形变化
  • 共振峰 -让你的声音听起来自然较高或较低的音调。 (也可卑鄙转变成米老鼠或弗兰克泽帕的工具)。

Hot Zones provide convenient and quick access to essential functions when using Flex Pitch.

热区提供方便快捷的基本功能,当使用Flex间距。


寻找创意用途为Flex间距

所以,我们知道的基本解剖的Flex间距。创造性,我们除了调整主唱?

  • 一个很好的地方开始复制区域与Flex的间距数据,然后调整他们向上或向下创建伴唱。
  • 使用Flex的间距是另一个很好的创意工具 - 或可疑 - 间距,并迫使他们入行。
  • 也有其他功能内置到Flex间距,充分利用检测到的音符数据。从这个强大的工具,可以生成MIDI和重用在其他领域。
  • 创建新票据音轨编辑器,允许你创建备用的旋律。
  • 从根本上改变共振峰给声乐一个极其怪异的氛围。艺术家的灵感听格兰姆斯,发热雷,CocoRosie。有趣和怪异。


结论

Flex的间距是不是出调歌手只是一个工具。它可以被用来大大地改变,不仅是人声的音色和情绪的触感,但任何其他工具,在其影响下。复制和粘贴一些地区的Flex的间距数据将有助于创建迭代迅速进入疯狂创意的领土旋转的旋律和主题。

事实上,所有这些技术都非常直观,给用户带来了很大的腿超过计划的Melodyne和自动调整等。在这些方案中,你必须先写实时音频插件,内容住的地方,即使在主窗口中的一个区域被删除。我不知道多少次,我结束了我的声乐敲击因为这个茎。感谢的Logic Pro XS新的Flex间距,我不相信这会是一个问题了。


要了解更多有关

的Logic Pro X 108 -应用主唱:时间和间距


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Comments (6)

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  • Kgi111
    I've use Melodyne Editor for a couple of years. And I've tried the LPX for a couple of days. My initial conclusion. LPX is way faster to work with than Melodyne. This is done inline, so you do not have to rerecord as with Melodyne. When you make drastic changes I will say that Melodyne does a way better job. But if it is a good singer and you just need to fix a bit here and there LPX is doing a pretty good job. Have I had this Flex Pitch in LP9 I would not have bought Melodyne.
    • 7 years ago
    • By: Kgi111
    Reply
  • Geeztown
    I think what makes pitch shifting vocals sound most natural is when you can shift the pitch but not the formant. I think melodyne is automatically set up to only shift the pitch and not the formant where as in Logic X, I'm seeing 2 parameters in the track / region inspector. 1 is formant track and the other is formant shift. I can't seem to find much about this in the manual. Can anyone shed a little more light on what those parameters do? Formant shift appears to be a global formant shift while I think that formant track has to do with how much the formant shifts when you change the pitch of a note. Setting formant track to 0 seems to only shift the pitch of the note and not the formant. However I'm confused by what the manual says : • Formant Track: Determines the interval at which formants are tracked along the signal. • Formant Shift: Determines how formants adjust to pitch shifts. When set to 0, formants are adjusted together with pitch shifts. Also, loving how it ignores consonant sounds. I would spend hours making sure I cut those out of notes so they wouldn't get pitch corrected in melodyne. I'm really excited about how much of a time saver this is!
    • 7 years ago
    • By: Geeztown
    Reply
  • David Earl
    Hey there, The formant is not changed with pitch when using 'Voice' mode in Melodyne. It attempts to retain the original formant value so that you don't get the chipmunk/Darth Vader effect. In Logic, the Formant travels with the pitch. I find that in my workflow it is better to change formants after the fact when needed, because sometimes it sounds way better to have the formants follow pitch rather than remain fixed. The idea of different formant modes is a great idea, though... Maybe the Logic team would be open to such suggestions.. :)
    • 7 years ago
    • By: David Earl
  • DaveDeLizza
    Are the algorithms on par with or even better than Melodyne? Trying to gather whether I'll be able to sell my melodyne license. What do you think of it? It looks beautiful.
    • 7 years ago
    • By: DaveDeLizza
    Reply
  • Rishabh
    Check out the Flexing Vocals course to get a better idea about the algorithm quality. There are still some minor things that Melodyne can do that this can't do yet, for e.g. glide transitions between notes. And of course the full version of Melodyne is polyphonic while this isn't...yet.
    • 7 years ago
    • By: Rishabh
    Reply
  • brad
    will flex pitch be able to do double speed recording al la the Les Paul/chipmunks kinda thing
    • 7 years ago
    • By: brad
    Reply
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