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음악을 제작하면 8 실수 피하기 위해
Joe Albano on Tue, September 15th 1 comments
So you're ready to record, mix and master that song/album/soundtrack? Joe Albano is here to ensure you don't succumb to any common pitfalls during the process. These tips should help...

셋업, 녹음, 믹싱, 마스터 링의 전체 생산 프로세스를 통해, 음의 최종 결과에 영향을 줄 수 이루어질 수있다 돌발 문제 또는 실수, 임의의 개수가있다. 여기에 8 빠른 제안은

1. Setup: Don’t wear too many hats

많은 사람들

2. Setup: Don’t skimp on the monitoring

프로젝트 전반에 걸쳐 당신이 만드는 모든 결정은 당신이 모니터를 통해 듣고 무엇을 기반으로, 그래서 이것은 하나의 영역입니다 정말 수

Fig 1 Monitoring is key—appropriate studio monitors and good musicians’ headphone mixes can make a big difference

그림 1 모니터링이 핵심입니다

3. Recording: Don’t ignore the performers’ monitor mix

당신이 스튜디오 모니터에들을 수에 따라 달라 것처럼, 연주자들은 자신의 헤드폰 믹스에 듣고 무엇에 따라 달라집니다. 만약 백킹 트랙 블렌드 및 그들과 수행자의 균형

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4. Recording: Don’t commit to processing on the way in

Fig 2 Processing added to a recording on the way in can often turn out to be too much later on at the mix stage—a gentle hand is best

그림 2 처리는 종종 혼합 단계에서 너무 많은 나중에 판명 캔의 방법에 녹화에 추가

종종, 추적하는 동안, 당신은 당신 것을 느낄 수 있습니다

5. Recording: Don’t “fix it in the mix”

그 구절은 오래된 음반 업계의 농담

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6. Mixing: Don’t mix the same day as recording & editing 

가능하면 이것은 항상 그것을 선택지 아니지만 수도

7. Mixing: Don’t try to make a mix sound like a master

Fig 3 Engineers are split over whether to add stereo bus processing in the mix, or leave it until the mastering stage

그림 3 엔지니어는 믹스 스테레오 버스 처리를 추가하거나 마스터 단계까지 탈퇴 여부를 통해 분할

그것은 좋은 방법이 될 수 있습니다

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8. Mastering: Don’t master your own mixes

Fig 4 A proper mastering facility and engineer brings not only fresh ears, but experience and a reliable monitoring environment to the important final step of the production process

도 4 적절한 마스터 링 시설 및 엔지니어뿐만 신선한 귀하지만 경험과 제조 공정의 최종 단계에 중요한 신뢰성 모니터링 환경을 가져온다

그리고 내 마지막 제안을 우리에게 가져다

그리고 그

Check out Joe Albano's Audio Concepts series video tutorials in The Academy HERE.
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Comments (1)

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  • Eric Barker
    All good, but I would add one more that's even more important than "Don't Skimp on Monitoring", and that is, "Don't Skimp on a room Treatment". I would argue that this is a cheaper (maybe), yet even more critical part of the monitoring (and possibly recording) chain. What's more is that often in project studios, you are recording in the same room as mixing, so the quality of your tracking will be improved too: you'll kill two birds with one stone. The unsexy thing is it's more complicated and takes a lot more time and knowledge than deciding how much you want to spend on a pair of shiny new near fields. However, even the best monitors available are going to give unsatisfactory results in a poorly treated space. Instead of spending $800 on a pair of high-mid end monitors, for instance, I would argue that money would be vastly better spent if you took $400 and put it into room treatment, and settled for some slightly less pricy (but still adiquate) monitors. On a budget, DIY solutions can be 4-8x cheaper than pre-made treatment, using the exact same materials and achieving the same results, but it takes lots of time and effort.
    • 3 years ago
    • By: Eric Barker
    Reply
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