Just because it's free doesn't mean it isn't valuable! And the same goes for plug-ins! Mike Watkinson finds 10 free plug-in gems for use in Avid's Pro Tools 10 DAW.
If you want to make light work when creating and editing transitions in Final Cut Pro X to this is the article for you! Ben Balser delves into his box of tricks and shares them here.
The latest version of Propellerhead Reason is here! Mo Volans puts Reason 7's new features through a rigorous test, from parallel channels to the External MIDI instrument and the new REX features.
What makes a piano software instrument stand out from the crowd? Pro user endorsees like Guy Sigsworth? An authentic sound? A realistic and natural response? Toby Pitman discovers all three apply.
Chances are as a Logic Pro user you've used (if not created your own) sampler instruments using the EXS24. In this article Mike Watkinson explores a trusted way to move these to another Mac.
Your iPhone / iPad can help you when it comes to music theory. Lynda Arnold takes a closer look at the how well InTunes and Quiztones test help with training ears for musicians and producers.
When going to print you may need to use a limited range of colors. In this article David Smith demonstrates how to create a 2 color print document in InDesign that still looks great.
Data is everywhere. In everything. All around us. Don't let it envelope you! Mastering metadata will help you to no end locate, organise and use your video footage in Premiere Pro. Here's how.
Are Reason & Ableton Live a musician's match made in heaven? Quite possibly! In this tutorial, G. W. Childs shows how to rewire both DAWs to get them working in unison together.
Lorne Balfe, Award winning Film & Game Composer (Assassin's Creed 3, Crysis, Batman Begins) talks tech, Cubase & shares game audio tips in this exclusive interview from AskAudio Magazine.
Musicians often rave about analog hardware synths from yesteryear. So, what's it like to really get hands-on with one of the classics, re-imagined? Rishabh Rajan finds a Korg MS-20 on his doorstep.
Want to sit back and let the music happen automatically? Well then, you'll love this tutorial on creating generative music using FXpansion's Tremor and Apple's Logic Pro 9.
It feels like summer may almost be upon us here in Europe... and to celebrate, Martin Perhiniak shows how to use 2D and 3D techniques to design ornamental patterns for a poster in Photoshop. (Part 2).
It feels like summer may almost be upon us here in Europe... and to celebrate, Martin Perhiniak shows how to use 2D and 3D techniques to design ornamental patterns for a poster in Photoshop. (Part 1).
Does Akai's EIE Pro audio interface live up to its tough looks and impressive feature list? Mo Volans takes this metallic monster into the review bunker and gives it a thorough work out.
You want a warm, punchy sound, right? We all like that analog tape sound in this digital world. That's why Rich Tozzoli has turned to Universal Audio's Studer A800 for that extra punchy sound!
Why do musical modders love Ableton Live? Simple, because you create your own effect unit racks. In this tutorial Gary Hiebner shows how to create a multiband distortion unit in Ableton Live.
If you want to create a website, you MUST know how to code. Well, while the knoweldge is priceless, this isn't strictly true as Tareq fadel discovers when using Adobe Muse.
Every once in a while you'll find a producer or musician who has bonded with a certain developer of an instrument, synth or sample library. Jay Asher explores the Back Beat Bass library from Art Vista
Shooting video for tv, film, commercials or pleasure? Whatever the purpose it's important to get to grips with color correction in Adobe Premiere Pro. Clay Asbury runs through a practical guide.
Steinberg's latest iOS app, Cubase iC Pro, is a nifty controller for Cubase on your Mac/PC. Hollin Jones investigates just how worthy this iOS controller really is.