Abelton Live is so much more than a live performance tool. It's a serious studio DAW and one of the first ports of call for G.W. Childs when it comes to designing sounds and FX.
Much has been said about the radical new version of Final Cut Pro. So how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with effects and filters.
Almost every major music single release gets the remix treatment. In the Final Part of this "How to Remix" series, Mo Volans explains the mastering and delivery process for the final remix.
Hidden under its hood, your Mac has powerful accessibility options that are useful for all. In this quick tip, Mike Watkinson communicates his love of the built-in Text to Speech options.
Most Absynth users are so blown away with its capabilities as a software instrument that they pass over using it as a powerful effects processor! Gary Hiebner explores the other side of Absynth.
Omnisphere by Spectrasonics is arguably one of the most amazing virtual instruments ever made. Although it comes with a huge number of patches, Toby Pitman has created 10 exclusive patches to use!
Ableton Live is arguably the most exciting audio application on earth to use as a beat mangling device. In this quick tutorial, Mo Volans gets scrunching and twisting with Ableton's built-in FX.
Deadmau5-style pitch tricks, beats and sounds is all the rage. Learn how to recreate the organ sound from Deadmau5's dance floor filler, Ghosts n Stuff, in Propellerhead's Reason.
Apple's FCP X ruffled more than a few feathers upon its release by omitting certain 'Pro' features. So what does this new free update (10.0.1) include? Is FCP X ready for prime time?
In the second part of this Hub series, Peter Schwartz removes the shackles of confusion that many Logic users still have regarding Link Modes. Learn how to make the different link modes work for you.
Pro Tools has come excellent arrangement, editing and composition tricks up its sleeve. One of these, Region Grouping, can be a real timesaver. Mike Watkinson explains the what, why and how.
Getting things done needn't involve struggling to find the right to-do note in your diary or checking iCal, emails an post-it notes. GW Childs maintains focus in his review of 2 iOS productivity apps.
Much has been said about the radical new version of Final Cut Pro. So how does it compare to Adobe's Premiere Pro ? David Smith contrasts how both NLEs deal with the editing process.
Almost every major music single release gets the remix treatment. In Part 6 of this "How to Remix" series, Mo Volans takes you through adding the final tweaks and polish to your remix.
After Effects is very capable animation tool for both the "jointed" method and "squash-and-stretch" technique. Richard Lainhart pulls some effective character animation tricks out of the bag.
Learn how to recreate the grooving bass sound from the club-land classic hit track, Dirty Vegas' "Days Go By" using in Reason. This hypnotic bass groove will grab you and your listeners.
What? A free plugin (included with every Mac) that can help you create a Deadmau5-style pitching build-up? Yes, it's true and Gary Hiebner shows you where to find it and how to use it.
If you're a fan of BT, glitch & IDM, chances are you've heard the work of Brian Trifon. We caught up with one half of Trifonic to discover more about his music & passion for macProVideo.com tutorials.
Stylus RMX by Spectraonsics is widely acclaimed as one of the best drums & percussion modules around. But many haven't explored its Kit mode which brings a host of new possibilities to the table.
Richard Lainhart breaks open Logic Pro's ES2 and shows how to recreate one of the synths from the Dizzee Rascal hit, 'Dance Wiv Me' featuring Calvin Harris.
Lots has been written about the radical new version of Final Cut Pro X. So just how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with media capture and management.