Working with textures and text in Photoshop can be a lot of fun. In this quick tip, Toby Pitman shows how to give the metallic texture effects that professional sheen.
While Pro Tools has Beat Detective to help apply groove quantizing to audio parts, Logic has a couple of tricks up its sleeve, too. Mike Watkinson delves into Beat Mapping in Logic Pro.
Final Cut Pro X comes bundled with some useful titles. If you want to roll your own, you can use Motion 5. Save yourself the work and download these FREE Titles for FCP X, created by Iain Anderson!
Almost every major music single release gets the remix treatment. In Part 5 of this "How to Remix" series, Mo Volans takes you through creating the arrangement and structure with breakdowns and more.
You've likely heard of (or used) the elastic audio feature to make timing changes to audio in Pro Tools, but have you come across Elastic Pitch? Read on to discover more!
Noah Pred, acclaimed DJ & Live Producer, trainer for macProVideo.com & Ableton Certified Trainer sits down for an interview and talks about his new 'Hooked on Racks' tutorial & Free Instrument Rack!
Native Instruments has created an awesome bit of kit for musicians in Maschine! It can be used standalone or as a plug-in within your DAW effortlessly. But, it can do so much more if you know how...
Shape Layers are one of the most underutilized areas of After Effects, despite there being amazing things you create using them. In this tutorial Toby Pitman outlines 3 incredible Shape Layer tricks.
Let's face it: Logic Pro is as deep as it's ever been, which means there are always some essential production tips you may not have come across before. Here are 5 workflows to add to your repertoire.
'The Cloud' has become this years buzz word that everyone wants to write about it. With Apple's iCloud coming soon, Francesco Shiavon explains what it is and why it'll revolutionize everything we do.
Follow this fantastic quick tip to learn how to use the Baseline Grid settings in InDesign to help align the text in your documents across all pages. In short, make your documents look professional.
Turning your ideas into a music doesn't stop once you've finished recording. These tips on arranging your project will help you save time when experimenting with your arrangement in Logic Pro.
Almost every major music single release gets the remix treatment. In Part 4 of this "How to Remix" series, Mo Volans takes you through extra editing and adding spatial effects.
Final Cut Pro X has some excellent tricks up its sleeves. And Iain Anderson, Final Cut Trainer, shows how to apply some special FX to time-lapse footage without moving your camera!
There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.
Pro Tools vs. Logic. Which do you use? In this ultimate slugfest-of-a-DAW match, David Earl and Keith Crusher set out to discover which is the ultimate DAW... by comparing their respective features.
Monty Python's characteristic lo-fi animation style is famous across the world. In this article, Richard Lainhart shows how to create the "mouthy", lip-sync animation in Adobe After Effects CS5.
Programming your own synth sounds in Logic's ES2 doesn't have to be scary! Using the presets under 'Tutorial Settings' can help speed up the process. It can also be very fun. Read on to learn more.
Part 2...There's more to titling than meets the eye in Final Cut Pro X. In the 2nd of this two-part Hub tutorial, Richard Lainhart runs step-by-step through the process of creating titles in FCP X.
Working with color schemes in Adobe After Effects will never be the same again. Toby Pitman whiled away many an hour putting the Color Rules plugin by Digital Juice to the test.
Peter Schwartz, the Logic and MIDI Guru has returned with another exclusive tutorial for The MPV Hub. Learn how to get the most out of the N-Tuplet symbol in Logic's Score Editor.