Cubase is capable of some nifty audio and MIDI routing tricks that may not be immediately obvious. Hollin Jones explains how to take complete control of your signal flow.
No studio monitor is inherently flat, but ARC 2.5 can give any speakers a neutral response, plus it has some other tricks up its sleeve. Matthew Loel T. Hepworth gives it a smooth review.
You may have heard of the Loudness Wars, but there's a whole new landscape emerging when it comes to levels. Joe Albano explains where the industry is heading.
Mixing is that darkest of arts, and every project requires a different treatment. But Joe Albano is here to share his experience with these top mixing tips that you need to know.
Bouncing audio with effects and then editing the resulting audio clips is a trick that some producers have been using for years. Here's a practical example of how it works in Live.
In a digital world, it's still possible to get analog sound for your productions without using external hardware. In this short video, Rich Tozzoli shows you how it's done.
Monitor mixing for several musicians isn't always paid the attention it could be. With the MyMix Personal Monitor System, could Joe Albano have found the answer?
The new 64-bit mix processing engine in Cubase 9.5 delivers more sonically accurate results than ever before. Matt Hepworth explains exactly how it works.
Resampling inside Live - and other DAWs - is a great way to quickly print down effects, edits and other changes to sounds, giving you a wide range of sound design options. Here's how it works.
The order in which you add plugins can make a significant difference to the effect they have on your sound. Joe Albano explains why, and how to avoid getting it wrong.
When you're getting ready to master in Pro Tools, make sure your mix is up to scratch! Alex Solano explains the ins and outs of preparing for the mastering process.
400w of power and more detail than you would believe - but would Matt Vanacoro find space in his studio for the behemoths that are the Avantone Abbey Monitors?
With auto-mixing features and a wealth of other new tools and tricks, could iZotope's latest version of Neutron be just what the doctor ordered? Joe Albano gets into the fine detail.
Expert tips and guidance are what we do best at the AskAudio Academy and here we have three videos from top producers to help you with some of the most important parts of producing EDM.
The Visual Mixer in iZotope's Neutron 2 provides a whole new way to control and mix a project. In this short video, Joe Albano explains how it works and why you should consider using it.
Pay attention to your drum mix, and your track will surely benefit. In this short video, Multiplier breaks down how to address different kinds of drum sound when mixing.
Digital sound can sometimes be overly clean and clinical. Great for clarity, but not for vibe. Here are some ways you can reintroduce some character to your digitally recorded tracks.
The sound of these legendary consoles can be heard on countless classic albums spanning many genres. Even in the software age you can still capture it, as Joe Albano explains.
Mixing on headphones can be useful and even necessary in some situations. But it brings with it a unique set of conditions and considerations. Joe Albano explains all you need to know...
Getting the perfect monitor mix can be tricky but by using the awesome power available in the UA Apollo hardware and software, it needn't be a chore, as Matt Vanacoro explains.