Colour grading is an essential part of getting a professional look for your footage, and it's more accessible now than ever before. Here's how it works in Premiere Pro CC.
If you want to make advanced corrections simply and effectively in Final Cut Pro X, Denver Riddle's Color Finale might be just what you need. Iain Anderson investigates.
If you're a video editor and you're interested in top-quality color and finishing tools for your footage, then Red Giant's Magic Bullet Suite 12 (including Colorista III) should be on your radar.
Iain Anderson shares some excellent tricks on using Final Cut Pro X's built-in color correction tools to fix what you might fear is unfixable using color and light tools. A must read for FCP X editors
Shooting with a Blackmagic cinema camera? Want to understand differences between Film and Video modes and make your footage look its best using Coremelt effects? You've come to the right place!
Color grading apps have come a long way in the past few years. Now Technicolor, the folks who know color better than most, have brought out Color Assist. Ben Balser grades the results in this review.
Shooting video for tv, film, commercials or pleasure? Whatever the purpose it's important to get to grips with color correction in Adobe Premiere Pro. Clay Asbury runs through a practical guide.
Toby Pitman picks his 5 favorite color tips available in Photoshop CS5 and CS6. From the simple to the sublime. There's something useful here for all Adobe Photoshop users!
It's usually best to apply color correction manually to your photos But, there are times when applying auto correction can save time & produce interesting results. David Smith shows how in Photoshop.
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Color is dead. Long live the new color correction tools built right in to Final Cut Pro X! David Smith explores how good they really are for adjusting the exposure levels in your video footage.
OK, who's this guy? I don't know either, but I don't think he's really Italian. However, he is going to be useful in helping to introduce you to After Effects' most basic color correction tools.
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I love Photoshop. It's one of those rare applications that has captured the hearts and minds of professional designers, photographers and home users the world over. It's effect has been so pervasive