or browse by category
The daily, online magazine for creatives.
DIY & Hacking
DJ & Live Performance
Game & Film Audio
Mixing & Mastering
Music Theory & Education
Presonus Studio One
Recording & Production
Synths & Sound Design
Review: Parallax Kontakt Bass Engine
If you're after huge, ground shaking bass sounds for your drum'n'bass tracks, Parallax Kontakt Bass Engine from producers Drumsound and Bassline Smith will rock your world.
Oct. 19, 2018
How To Design A Punchy Sub Bass In Under 4 Minutes
Use this quick technique in any software or hardware synth to create a deep sub bass that can lend weight to the bottom end of your productions.
Jun. 20, 2018
Better Bass (For Non-Bass Playing Producers)
A good bass sound is key to almost any kind of music production, but how can non-bassists ensure they're getting the best results? Joe Albano breaks down better bass for everyone.
Aug. 21, 2017
Korg Volca Kick Analog Synth With MS-20 Circuits, Touch FX & Pattern Chaining
Korg tell us the new analog volca Kick synth delivers powerful percussive and chromatic kick, bass, and sub bass sounds. Plus it uses the filter from the MS-20 and has new performance features.
Aug. 31, 2016
Deep and Downright Dirty Dubstep Bass in Reason
So you know how to make a dub step bass patch in Propellerhead Reason? But maybe it's not as deep and dirty as you'd like? Have no fear, Hollin Jones is here to take your processing to the next level.
Sep. 19, 2013
Making Fat Bass Patches In NI's Monark
Native Instruments' introduced a lot of new virtual kit with Komplete 9, one of these new toys is the Monark synth: a virtual analog offering that models what one can only assume is the classic Moog.
Aug. 29, 2013
Create Bigger Basses in Reason Using Samplers
Getting fatter basses in Reason became a lot easier when Thor was introduced. But there's a more old school method to getting distinctive, bigger bass sounds. G.W. reveals his tricks of the trade.
G.W. Childs IV
Aug. 9, 2011
Create Bigger, Fuller, Wider Bass in Logic Pro
Layering sounds can be an ideal way to enhance an instrument's tone. In this tutorial, Gary Hiebner demonstrates how to layer 3 different bass sounds to create a wider stereo mix. Good for all DAWs!
Aug. 3, 2011
Adding Bottom End to your Bass: Part 2
In Part 2 of this Extra Bass series Mike Watkinson demonstrates how to use a simple sine wave generated by the EXS24 to add sub-harmonic content in a controllable way.
Aug. 2, 2011
Review: Pump Up the Bass with MaxxBass by Waves
I once spoke with John Regan, the bass player for Peter Frampton. I asked how he liked his in-ear monitors and his less than enthusiastic reply stuck with me, "They're ok", and he said, and he went on
Mar. 3, 2011
How are we doing?
We'd love your thoughts, feedback and questions regarding our new site. All feedback is appreciated!
We do not respond to this form! If you need support, please visit our
Thank you for your input!
Your message has been successfully sent
Don't Know Where To Start?
Ask A Course Advisor
Copy the link below and paste it into an email, forum, or Facebook to share this with your friends.
Make money when you share our links
Become a macProVideo.com Affiliate!
The current affiliate rate is: 50%
Classes Start Next Week!
Live 8-week Online Certification Classes for:
Logic Pro X