In this tutorial article learn how to give your footage a trendy, retro feel, using the video effects in Final Cut Pro X. Iain Anderson takes you back in time.
If you want to make advanced corrections simply and effectively in Final Cut Pro X, Denver Riddle's Color Finale might be just what you need. Iain Anderson investigates.
Iain Anderson shares some excellent tricks on using Final Cut Pro X's built-in color correction tools to fix what you might fear is unfixable using color and light tools. A must read for FCP X editors
If you have Final Cut Pro X, you have a powerful video editor and capable tools for color correcting your video footage too. Iain Anderson shows how to use FCP X's built-in tools to great effect.
Color grading apps have come a long way in the past few years. Now Technicolor, the folks who know color better than most, have brought out Color Assist. Ben Balser grades the results in this review.
New or transitioning to Final Cut Pro X? This 6-part series provides will get you editing like a pro. In this tutorial Iain Anderson explores color grading. Check back tomorrow for part 5!
Ben Balser, FCP X trainer and expert, demonstrates how to use gradients in Final Cut Pro X for color grading purposes. It helps to control the color of one area while leaving the other untouched.
The latest update for Apple's FCP X (10.0.3) improved the built-in chroma keyed feature. Iain Anderson demonstrates just how much of an impact these improvements will have on everyday workflows.
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Final Cut Pro X has color correction and color grading workflows built-in. No more round-tripping between separate applications. In this tutorial, David Smith turns Summer into Autumn in FCP X.
The separate Color application may be gone but FCP X has powerful control over color. In Part 2 of this mini- FCP X Color series, David Smith takes us through the built-in Color Saturation controls.
Color is dead. Long live the new color correction tools built right in to Final Cut Pro X! David Smith explores how good they really are for adjusting the exposure levels in your video footage.