When Ben Balser was tasked with adding some pizazz to the trailer of iOS game, Bucket Dan, he turned to Final Cut Pro X. In this quick tip, Ben shows how to make animations more organic!
While FCP X has moved on to 10.0.7 from the 10.0.6 update, the later introduced a host of tasty new features to get your teeth into. Iain Anderson explores the new importing options.
One of the major areas of Final Cut Pro X to get some love in the recent 10.0.6 update was "Sharing". Iain Anderson explores what's changed, and how this will have a positive impact on your workflow.
Many Final Cut 7 users were unhappy at needing to learn how to use a single viewer in the original Final Cut Pro X. The 10.0.6 update, however, introduces dual viewers. Ben Balser takes a closer look.
Markers are one of those feature many editors ignore until they really need them. The release of FCP X 10.0.6 brought with it the ability to export chapter markers and many more useful tricks...
Check out more new features and workflows from the latest update (10.0.6) of Final Cut Pro X... Ben Blaser showcases how flexible connection points can work for you.
Amongst the host of new features in Final Cut Pro X 10.0.6 is the ability to set multiple sets of In/Out points. The improvement this'll have when editing is explained by FCP expert, Ben Balser.
The latest update to Final Cut Pro (10.0.6) brings with it many useful additions, including native REDCODE RAW support. Ben Balser shares some essential RED tips for FCP X users.
One of the marquee features in the FCP X 10.0.6 update is multichannel audio editing. Ben Balser gets deeper and shows the workflow for editing audio in the latest incarnation of Final Cut Pro.
The included titles in FCP X and Motion are great but will probably only take you so far before you want to modify them to suit your needs. Iain Anderson shows you how to do just this!
What is the default event and why is it important for Final Cut Pro X users to understand? Ben Balser, FCP X trainer and genius shows how the default event can make for a better workflow.
New or transitioning to Final Cut Pro X? This 6-part series provides will get you editing like a pro. In part 5 Iain Anderson explores transitions, titles and effects. Check back tomorrow for part 6.
When it comes to speed editing, Final Cut Pro 7 was up there with the best NLEs. In this tutorial Ben Balser demonstrates that FCP X is no slouch either when editing with precision is required.
If you want to create a slow-motion effect in FCP X chances are you'll reach for the Retiming tool, right? Ben Balser shares an alternative technique for higher quality results.
Struggling to find the footage you need when you need it? Ben Balser, FCP X guru, explores how to sort the wheat from the chaff using Custom Metadata Views in Final Cut Pro X.
How has the multi-camera workflow changed from its birth to now? Final Cut Pro Trainer, Kiri Roberts, explores the history and tracks how it's become easier since FCP 5 all the way to FCP X.