Applying filters to your audio clips is very straightforward in Final Cut Pro X. David Smith takes it one step further to show how practical workflows when adding effects to sections of dialogue.
Ben Balser, FCP X trainer and expert, demonstrates how to use gradients in Final Cut Pro X for color grading purposes. It helps to control the color of one area while leaving the other untouched.
Now that Final Cut Pro X contains some of Logic Pro's best audio effect plugins'"a feature overlooked by many editors'"there're tons of ways to transform dialogue or audio. Ben Balser shows you how.
Following on from "Introducing Roles in FCP X", David Smith digs deeper into using roles to assign jobs and functions to clips for even better clip management workflows.
Ben Balser loves the audio editing features and effects plug-ins included in Final Cut Pro X. In this article he explores the process of recording and editing "long-form" audio in FCP X.
Much has been written across the web about performance when working with compressed media vs. ProRes 422 in Final Cut Pro X. Some is less accurate than others! Iain Anderson presents his research.
The latest update for Apple's FCP X (10.0.3) improved the built-in chroma keyed feature. Iain Anderson demonstrates just how much of an impact these improvements will have on everyday workflows.
If you thought that the ability to Gang Sync never made it across from FCP 7 to FCP X you'd be mainly correct. But there is a workaround! David Smith shows how to make it work even better in FCP X.
Beneath its easy-on-the-eye exterior, Final Cut Pro X packs some power-user audio features. Ben Balser takes a trip through managing audio channels at every stage of the editing process.
While many FCP 7 users may be feeling the lack of sub-clips in FCP X, David Smith finds a way around using the keywords for selections to quick-edit interviews in FCP X.