How has the multi-camera workflow changed from its birth to now? Final Cut Pro Trainer, Kiri Roberts, explores the history and tracks how it's become easier since FCP 5 all the way to FCP X.
What to do if you've shot during the day but the director demands it looks like a night scene? Ben Balser shows how to add an authentic night scene without grain or noise in Final Cut Pro X.
Once you've learned what each tool does and how to use it, it's time to start editing video! Ben Balser presents his workflow tips that will save every editor valuable time in Final Cut Pro X.
Jeff Greenberg is a Master Adobe, Apple, and Avid Instructor in editorial, compositing, sound, color correction & compression. He popped by The Hub to chat about what's going on in the video world.
Below the simple interface of FCP X lies a variety of secret, power-user features. Iain Anderson reveals one such feature that'll speed up every editor's workflow.
Ben Balser is one of the most well-respected & knowledgable Final Cut trainers. He has provided consultancy & training for editors in the biggest media networks in the US & has now joined macProVideo!
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Much has been said about the radical new version of Final Cut Pro. So how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with effects and filters.
Apple's FCP X ruffled more than a few feathers upon its release by omitting certain 'Pro' features. So what does this new free update (10.0.1) include? Is FCP X ready for prime time?
Final Cut Pro X comes bundled with some useful titles. If you want to roll your own, you can use Motion 5. Save yourself the work and download these FREE Titles for FCP X, created by Iain Anderson!
Final Cut Pro X has some excellent tricks up its sleeves. And Iain Anderson, Final Cut Trainer, shows how to apply some special FX to time-lapse footage without moving your camera!
Part 2...There's more to titling than meets the eye in Final Cut Pro X. In the 2nd of this two-part Hub tutorial, Richard Lainhart runs step-by-step through the process of creating titles in FCP X.
There's more to titling than meets the eye in Final Cut Pro X. In this two-part Hub tutorial, Richard Lainhart takes you step-by-step through the process of creating titles in FCP X.
Final Cut Pro X has color correction and color grading workflows built-in. No more round-tripping between separate applications. In this tutorial, David Smith turns Summer into Autumn in FCP X.
The jury is still out... but many FCP 7 users are finally looking positively in the direction of FCP X! In Part 2 of 3, David Smith shows us how to construct rough cuts using FCP X's Clip Connections.
The dust has settled and many Final Cut Pro 7 users are looking upon FCP X favourably! To ease the transition, David Smith shows us how to construct rough cuts in the first of this three-part series.
Final Cut Pro X has some hidden editing tricks up its sleeve! Michael Wohl (macProVideo.com Star Trainer) demoed highlights from his mPV FCP X video tutorials specially for LAFCPUG members.
Many of Color's (now discontinued?) features have been built in to FCP X. in the 3rd and final part of this mini-Color series, join David Smith, Apple Certitifed Trainer, to learn more
The separate Color application may be gone but FCP X has powerful control over color. In Part 2 of this mini- FCP X Color series, David Smith takes us through the built-in Color Saturation controls.
Whatever your feelings regarding FCP X, it pays to be well-informed, so take a look at our round-up of the best of our Final Cut Pro X related reviews and interviews to date from the MPV Hub.