One of the major areas of Final Cut Pro X to get some love in the recent 10.0.6 update was "Sharing". Iain Anderson explores what's changed, and how this will have a positive impact on your workflow.
Many Final Cut 7 users were unhappy at needing to learn how to use a single viewer in the original Final Cut Pro X. The 10.0.6 update, however, introduces dual viewers. Ben Balser takes a closer look.
Final Cut Pro X 10.0.6 has arrived! Our Star Trainer, Michael Wohl, has been hard at work updating all of our courses to reflect the new features! Best of all, these FCP X Course Updates are FREE.
One of the marquee features in the FCP X 10.0.6 update is multichannel audio editing. Ben Balser gets deeper and shows the workflow for editing audio in the latest incarnation of Final Cut Pro.
When it comes to speed editing, Final Cut Pro 7 was up there with the best NLEs. In this tutorial Ben Balser demonstrates that FCP X is no slouch either when editing with precision is required.
Below the simple interface of FCP X lies a variety of secret, power-user features. Iain Anderson reveals one such feature that'll speed up every editor's workflow.
There's more to titling than meets the eye in Final Cut Pro X. In this two-part Hub tutorial, Richard Lainhart takes you step-by-step through the process of creating titles in FCP X.
The jury is still out... but many FCP 7 users are finally looking positively in the direction of FCP X! In Part 2 of 3, David Smith shows us how to construct rough cuts using FCP X's Clip Connections.
The dust has settled and many Final Cut Pro 7 users are looking upon FCP X favourably! To ease the transition, David Smith shows us how to construct rough cuts in the first of this three-part series.
Many of Color's (now discontinued?) features have been built in to FCP X. in the 3rd and final part of this mini-Color series, join David Smith, Apple Certitifed Trainer, to learn more
The separate Color application may be gone but FCP X has powerful control over color. In Part 2 of this mini- FCP X Color series, David Smith takes us through the built-in Color Saturation controls.
See what a deep insider at Apple has to say about editing video with the new Final Cut Pro X. Learn more about macProVideo.com's Star FCP X trainer, Michael Wohl. This article pulls no punches ...
Final Cut Pro (FCP) and Soundtrack Pro (STP) have long had a symbiotic relationship, going back to the first release of the Final Cut Studio suite. One aspect of that relationship is that you can inte
2010 has been a massive year here at macProVideo and we'd like to thank all of our excellent authors for their articles and hard work... and thank you for joining us on this software tutorial journey!
Jaw-dropping visual effects and animation in film are becoming more and more sophisticated and more expensive. It seems every year it requires more wizardry and money to create a sense of awe and wond
Some editing tasks in Final Cut take longer than others. This usually boils down to needing to switch the tool you're using or search through Final Cut's menu's to find the command you wish to apply.
In this second edition of Final Cut Essential shortcuts and tips we'll take a look at some more editing and navigation tricks designed to speed up your workflow. Whether you're new to Final Cut or a m
Final Cut Pro and Final Cut Express have rapidly become the Video Editors dream on the Mac. In days gone by, video editing required a massive outlay of tens/hundreds of thousands of dollars on equipme