You may have heard it's possible for Logic Pro X to read FCPXML! Ben Balser explores the best ways possible to create a successful workflow between Apple's pro video and audio workstations.
How do you work with multi-timbral instruments in Logic Pro X? This is a common question and one that master Logic composer and trainer, Jay Asher, seeks to answer in this tutorial article.
If your mix is sounding a bit flat or instruments feel hidden away it's time to employ some top tips to give your tracks more punch! Darren Burgos shows how to do just that in Logic Pro X.
The jury is most definitely in about Logic Pro X, and the overall reaction is very positive. One of the areas to receive some love from Apple was the Score Editor! Peter Schwartz takes a closer look.
Transitioning from one version of your favorite music software to the next is never easy. What's been removed is a common fear for many. Jay Asher turns that trepidation into joy for LP9 users.
For many useful advanced tasks in Logic Pro X we no longer need to delve into the Environment. Track Stacks are a prime example of how to create sophisticated patches in just a few steps.
Getting unique sounds and effects out of Logic Pro X doesn't have to mean taxing your Mac's CPU. G. W. Childs shows how to make use of the new MIDI FX plug-ins to get creating wherever you are.
Calling all Logic Pro X users dependent on 32-bit plug-ins like Sylenth... aside from our previous solution, there's a more integrated one using VEP. Peter Schwartz walks you through the ins and outs.
Video training just took a revolutionary step forward thanks to the pioneering minds at macProVideo.com! They've just released the world's first Tutorial Player Plugin for Logic Pro X.
Logic Pro's Space Designer is an excellent convolution reverb. However, using IR's can add muddiness to your sound. Jay Asher shares a clever technique to help you achieve better and clearer mixes.
Logic Remote is the free iOS app for iPad, designed specifically to control Logic Pro X. There are plenty of third-party remote control apps out there, so what is it that makes this app so special?
Perhaps one of the less shouted about areas of Logic Pro X is the Score Editor. Jay Asher discovers that changes have been made, and good ones at that! Read about his top 5 in this article.
Whenever your favorite piece of software receives a major update, it's usually the changes to the user interface that will at first delight or annoy you. Take a look at what's new in Logic Pro X.
Pads can be the basis for a track, though more often than not they are used for atmospheres or break downs. Mo Volans shows how to make them super, whatever the purpose, in Logic or any DAW of choice.
Logic Pro's Score Editor is both powerful and perhaps under appreciated. Jay Asher looks to remedy the later by revealing how to put the Layout Tool to best use.
Loops are great. But loops can also become mind-numbingly repetitive, too. Darren Burgos, however, has a solution to adding distinct, musical variations using a MIDI controller and Logic Pro.
What is Logic Pro's Environment? Following on from Part 1, Peter Schwartz sets out to break it down into bite sized chunks. In this article he focuses on the Clicks and Ports layers.
What is Logic's Environment? Does the mere mention of it strike fear into your very soul? Peter Schwartz is here in this Logic series to banish misconceptions and break it all down nice and easy.
From Halo to Call of Duty, shooters are a popular genre of video game. David Earl takes to the battlefield and uses Logic Pro to create realistic automatic gun effects.
If you like the idea that 'prevention is better than the cure' and use Logic Pro, join Jay Asher in this article as he walks you through how to avoid problems before they happen!
The Marquee Stripe is a hidden gem, your Logic buddy, something you're likely to call on when arranging your compositions in Logic Pro. Jay Asher demonstrates its power in this tutorial.