Pro Tools aficionados will be used to dealing with split stereo files. For Logic users, working with interleaved files has been the norm. So, what if you need to isolate each channel in Logic Pro?
There's a multitude of plug-ins, loops and instruments begging to be used in your next track. Ever wondered whether you can use one synth only in your next production? Gary Hiebner gets all minimal.
Navigating complex, or even simple, projects in Logic can be a pain if you use a mouse! With a number of useful workflows at your disposal, Jay Asher demonstrates how Markers can simplify the process.
If you tuned in and downloaded the FREE ES2 patches by Mo Volans back in July 2012 you'll have come across a lovely distorted synth bass. Discover how to program this patch from scratch in Logic Pro!
We've all heard it: rhythmic stutters on a Trance pad or a chopped-up pumping synth line. Wouldn't it be great to know how to make this effect? Darren Burgos demonstrates 3 ways to get gating in Logic
Darren Burgos gets his chops together in this step by step on how to quickly create Electro and Dubstep style stop/chop audio effects using Take Folders in Logic Pro.
With 24-bit digital recording and better analog to digital converters than ever before, is there any point using dynamic processors when recording? Mike Watkinson examines the benefits.
Bring back the 80's - all is forgiven'¦ well, almost everything. Toby Pitman travels back in time, using Logic Pro, to re-create the (in)famous 80's style drum effects.
Logic Pro expert author, trainer and film composer, Jay Asher, explains how to create stems in Logic Pro 9, and why this makes it easier and more efficient when it comes to the mixing process.
With so many ways to make kick drums, many producers ignore Logic Pro's built-in ES1 instrument. However, as Darren Burgos demonstrates, the ES1 can create punchy and deep kicks that rival any source.
There's a common need amongst producers and bands who use Logic Pro: to record the click track to an audio file. Apple Certified Trainer, Rounik Sethi shares a quick and dirty 5 minute solution.
For some reason mentioning 'The Environment' strikes terror into the heart of many a Logic user. But it doesn't have to be scary. Peter Schwartz is here to help you work through the fear.
In the second part of this Hub series, Peter Schwartz removes the shackles of confusion that many Logic users still have regarding Link Modes. Learn how to make the different link modes work for you.
Let's face it: Logic Pro is as deep as it's ever been, which means there are always some essential production tips you may not have come across before. Here are 5 workflows to add to your repertoire.
There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.
Peter Schwartz, the Logic and MIDI Guru has returned with another exclusive tutorial for The MPV Hub. Learn how to get the most out of the N-Tuplet symbol in Logic's Score Editor.
Fixing the timing of recorded audio, especially drums has fast become an essential staple for digital musicians and producers. But how can you mimic Beat Detective in Logic Pro? Is it easier in Logic?
Logic contains multiple editors to help you edit your audio and MIDI regions, respectively. And, when editing regions, it's imperative to understand how the link modes alter what the editor displays.
Pitch correction has become a staple in the music producers toolbox. This tutorial shows how to use Logic's Pitch Correction plug-in without knowing your Bb major from G minor - with A+ results!
Whether invented by accident by Les Paul or, as others say, by Ken Townsend at Abbey Road in 1966 (and used on John Lennon's voice), automatic double tracking (ADT) is a way of thickening...