The company's A.I - based engine provides editors with free and high-quality finished audio for their Adobe Premiere Pro CC video projects. Here's the lowdown.
Engaging use of light can make a good video shine (sic)! Hollin Jones dives into Adobe Premiere Pro and shows how to work with lighting effects... including spotlights and colors.
Automating material inside a Premiere project is one of the easiest ways to create motion graphic-style effects without having to be an After Effects expert. Hollin Jones presents 6 tips to help.
Color grading apps have come a long way in the past few years. Now Technicolor, the folks who know color better than most, have brought out Color Assist. Ben Balser grades the results in this review.
The more you work in an NLE, like Premiere Pro, the more you'll want to cut back on repetitive tasks and generally speed up your workflow. David Smith is here to help you do exactly that when editing.
Premiere Pro continues to be regarded as one of the top NLEs for good reason. It helps editors get the job done quick. Clay Asbury is here to make your workflow even speedier with these audio tips.
Data is everywhere. In everything. All around us. Don't let it envelope you! Mastering metadata will help you to no end locate, organise and use your video footage in Premiere Pro. Here's how.
Shooting video for tv, film, commercials or pleasure? Whatever the purpose it's important to get to grips with color correction in Adobe Premiere Pro. Clay Asbury runs through a practical guide.
Are you a video editor using Premiere Pro via Production Premium CS6 or Creative Cloud? If so you have Adobe Audition CS6. Make the most out of it with these tips by Clay Asbury.
Become even more proficient in Premiere Pro with Clay Asbury. In this article Clay introduces us to the marvellous world of markers, the different types, and how to use them in your workflow.
No matter what camera you use, the footage you capture will not always be perfect. Clay Asbury shows how to improve footage using Premiere Pro CS6's Warp Stabilizer and Adjustment Layers.
A few months on from its release, Premiere CS6's audio enhancements and features are still not as well acknowledged as they perhaps should be. Hollin Jones sets out to correct this!
When it comes to NLEs, Adobe's Premiere Pro CS6 packs a serious punch! In this article Clay Asbury outlines how to make the most of Premiere's trimming features.
In a film, bad video quality is bad. Bad sound quality is even worse! Hollin Jones takes you through the essential steps needed to edit audio from Adobe Premiere in Adobe Audition.
There are many video playback devices, from iPhones to TiVo boxes, and each require video in different formats. David Smith demonstrates how to easily batch export from Premiere for multiple formats.
You've probably seen speed change effects in your favourite movie(s). Hollin Jones takes you through the essentials of speeding up, down and reversing your footage in Adobe Premiere.
It's the final part of this 5-article series comparing Final Cut Pro X & Adobe Premiere Pro. David Smith sits back after a hard day's edit to explore the different export options in both NLEs.
"Video is two-thirds audio", or so the saying goes. Whatever the actual percentage, bad audio can ruin a great film. David Smith takes a tour of audio editing in Final Cut Pro X and Adobe Premiere.
There are more efficient ways to perform editing tasks in Premiere than by using the mouse. David Smith exercises his digits and demonstrates 5 shortcuts every editor needs to know.