One big new feature in Propellerhead Reason 9 is the convert Audio to MIDI feature. In this tutorial, GW Childs demonstrates some interesting ways to make it part of your production workflow.
Propellerhead's Reason 8 release was arguably a foundation for future improvements & tech with not many bells and whistles. But Reason 9 has plenty of reasons to get you excited. Here's 9 of them.
Fancy learning how to create unique filter processed drums using Reason's Synthetic Rig? The Filter Pattern rack is incredibly usable as Mo Volans shows in this video tutorial.
Creating effective sound design for film or TV doesn't require you to have the most expensive instrument libraries. In fact, Propellerheads Reason has more than enough for your atmospheric needs.
Want to discover tips that'll help you get editing MIDI faster and more efficiently in Propellerhead Reason? G. W. Childs, Reason guru, shares 7 workflow enhancing MIDI editing tips for Reason 7.
Want to learn some neat tricks to help you make the most out of Reason's automation abilities? You've come to the right place. G. W. Childs shares automation tips and tricks great for producing EDM.
The humble Audio Track Module in Reason is one that may have passed you by... yet, it is central to the way audio tracks can be processed and can lead to creative results. Hollin Jones shares all.
When you think of white noise you might not feel inspired, but with some clever filtering tricks and when played through Reason's Subtractor you can create something musical and unique.
The Trap music genre is constantly evolving... and in his second tutorial on this musical style, G. W. Childs shows you how to make Trap style drum fills in Propellerhead Reason with download project.
Looking for a giant additive synthesizer powerhouse Rack Extension for Reason? Propellerhead may just have answered your prayers with the release of Parsec!. Read on and watch a video of it in action.
The Trap music genre seems to be constantly evolving... and borrowing from other more established styles too. In this tutorial, G. W. Childs shows how to make Trap style beats in Propellerhead Reason.
So you know how to make a dub step bass patch in Propellerhead Reason? But maybe it's not as deep and dirty as you'd like? Have no fear, Hollin Jones is here to take your processing to the next level.
The REX format changed the face of music production back in its day and now Propellerhead have given it new life with the ability to create and edit this sliced up format directly in Reason 7.
Reason is an intuitive platform to mix in. But what about at the mastering stage? Mo Volans shares 5 tips to help you get kitted out and ready to finish off your projects.
Making beats becomes even more fun when you've got great tools designed by creative minds... like those at Propellerhead. Hollin Jones explores some esoteric mangling opportunities for beat makers.
Creating interesting sonic textures in Reason just got a whole lot cooler! Mo Volans shows how to create super modulated instruments with a lot of crazy modulation routings involved.
Remember the DX-7? You may have owned one and may recall its retro FM synthesis sounds, but how hard it was to program. Propellerhead have created the PX7 with mappable parameters. Is it a keeper?
Let's play sonic word association... "Choir." Did you imagine angelic sounds, or similar? G. W. Childs turns this idea on its head by introducing a 'horror' element using Reason.
G. W. Childs draws on experience creating interplanetary sound effects for Star Wars video games for this tutorial on how to make authentic Sci-Fi style radio transmissions in Reason.
Designing sounds is like using building blocks. By creating 3 simple patches G. W. Childs shows how, in no time at all, you can use Reason to take you into different sonic dimensions.