What is Logic's Environment? Does the mere mention of it strike fear into your very soul? Peter Schwartz is here in this Logic series to banish misconceptions and break it all down nice and easy.
From Halo to Call of Duty, shooters are a popular genre of video game. David Earl takes to the battlefield and uses Logic Pro to create realistic automatic gun effects.
The Marquee Stripe is a hidden gem, your Logic buddy, something you're likely to call on when arranging your compositions in Logic Pro. Jay Asher demonstrates its power in this tutorial.
Chances are as a Logic Pro user you've used (if not created your own) sampler instruments using the EXS24. In this article Mike Watkinson explores a trusted way to move these to another Mac.
Want to sit back and let the music happen automatically? Well then, you'll love this tutorial on creating generative music using FXpansion's Tremor and Apple's Logic Pro 9.
Ola. Speak Spanish? No... Speak French? oh... Speak Logic Pro? Excellent! Jay Asher continues his crash course to help you fully grasp the language of Apple's flagship DAW.
When Logic Pro went 64-bit many people rejoiced. But the potential to load more samples into RAM brought a downside... the export audio back to video was broken. Peter Schwartz explores workarounds.
What to do when you've already raided your existing sample libraries and synth presets when looking for noise-based percussive sounds? Turn to Logic Pro's ES1 and create your own!
General rule of thumb is that mastering is best done by a professional engineer. However, more musicians are choosing to master their own music, so it's a good idea to have a mastering template...
So, you want to remix a track? Darren Burgos invites you into his studio of tricks in this article as he reinvigorates vocal stems using Logic Pro. He's also kindly included the Logic project, too!
Hello. Speak English? No... Speak Spanish? oh... Speak Logic Pro? Excellent! Jay Asher takes you on a crash course to help you fully grasp the language of Apple's flagship DAW.
There are already tools such as Stutter Edit and Gater plug-ins which can transform your static sounds into dynamic rhythms. Why not use Logic Pro's EQ effects to do something similar?
There's more than enough sounds, instruments and patches in Logic Pro that'll keep you busy for a lifetime. Tempting as it is to pick a common preset, stand out from the crowd and get layering.
Logic Pro's Hyper Editor isn't the prettiest to look at - but is incredibly powerful and useful. Gary Hiebner shows how to use the Hyper Editor to jump between Program changes and pitch changes.
Reversing / flipping / twisting sounds can bring much joy when making beats or designing sound effects. Darren Burgos demonstrates how to do all this and more in Logic Pro.
If you're working on vocals, or any dynamic material, reach for Logic Pro's Enveloper plug-in to add a bit of spice to proceedings. Gary Hiebner shows you how!
Who wants a FREE Logic Pro Environment for remapping notes?'¦ It's not a tough choice when you see what our resident Logic genius, Peter Schwartz, has created specially for you!
There's a bunch of cool EDM sounds you can make using Logic's ES2. In this excellent tutorial, Darren Burgos shows how to get that pitch bend riser-style EDM lead sound. A MUST read!
Get creative with side chaining in Logic Pro. Mike Watkinson shows two different ways to set this up, with the focus on using this imaginatively in your musical projects.