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Take a 19 question quiz to test and certify your knowledge of the tutorial-video course
Ableton Live 10 104 - Mixing Tracks.
Get a mark of 80% or higher to pass this quiz!
What does RTA stand for?
Real Time Amplitude
Random Time Analysis
Real Time Analysis
Random Transient Attack
What is the fourth dimension of audio?
Which frequencies can be panned left and right most freely?
Around 1 kHz.
The highest frequencies.
The low mids.
The low end.
Why do engineers traditionally think less of Live’s mix engine?
Perceived poor sound quality caused by user error.
The summing engine is demonstrably inferior.
It is not loud enough.
Usually due to incorrect warp mode deployment.
Mixing should only be done by a certified mixing engineer. True or false?
What are the three modes offered by EQ8?
Mono, Stereo, L/R
Stereo, L/R, M/S
Mono, Stereo, M/S
Low Quality, High Quality, Oversampling
What is the benefit of multiband sidechaining with an audio effect rack?
It’s good practice for other types of multiband processing.
Multiband processing is simply always better as a rule.
It’s easier than normal sidechaining.
Only the specified competing frequencies are ducked.
Which Saturator mode offers subtle harmonic inflation?
Why is it a good idea to have a limiter on your master buss?
To get a wider dynamic range.
To improve the frequency response.
To compensate for poorly mixed material.
To prevent accidental unwanted peaks and protect your ears and equipment.
When should you apply compression to a signal?
Everything should be compressed.
Only on your master channel.
When the dynamic range is irregular and quiet parts are dwarfed by loud parts.
When the levels are too hot.
You should never boost EQ bands because EQ8 has no output gain compensation parameter. True or false?
Which Utility feature reduces perceived width of a signals low end?
DC offset removal
Dithering should always be applied on Export. True or false?
What’s a good amount of headroom to aim for with just kick and bass in the mix?
Which is a common buss processing effect?
What is the easiest way to configure parallel compression in Live?
By setting up an audio effect rack with multiple chains.
By configuring a send and return.
By grouping tracks to a buss.
Via the Compressor or Glue Compressor’s Dry/Wet dial.
Which Gate parameter determines the level below which noise is removed?
What is the easiest way to buss tracks in Live?
Using Send and Returns
You can’t do this in Live
Via the In/Out routing matrix
Why should you try to keep all meters green?
Because it’s easier on the eyes.
To improve dynamic range.
To avoid phasing issues.
To avoid unwanted distortion and clipping.
Ableton Live 10 104
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