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Final Cut Pro FastTrack 201 - Pro Audio Techniques.
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  • 1

    How can 'Dynamic Range' be described?

  • 2

    What impact does exporting an FCP XML file from Logic Pro has on your your hard drive?

  • 3

    If audio is recorded in samples per second, how many samples are in one second of a 48 kHz audio file?

  • 4

    How do you assign files being imported to a specific keyword collection?

  • 5

    When exporting an XML for Logic Pro or Pro Tools, what is the single most important setting in the export window?

  • 6

    Are audio lanes in Final Cut Pro any different than tracks in other non-linear editors?

  • 7

    What can Roles do besides make our Timeline colorful?

  • 8

    What is the proper way to create L and J cuts (trimming the audio and video of a single clip separately)?

  • 9

    What are the curved line icons on each side of the top of the EQ plugin window?

  • 10

    When exporting a Timeline in an MXF multichannel wrapper, what codecs can you choose from?

  • 11

    With a Compound Clip, expanding audio lanes allows you to do which of the following?

  • 12

    Explain the difference between Expand Audio and Expand Audio Components?

  • 13

    When using an EQ effect, what are the very first steps to take?

  • 14

    How do we trim individual audio components of a single video clip in the Timeline?

  • 15

    What is the recommended first step when using the Compressor plugin in Final Cut Pro?

  • 16

    When you right-click a clip in the Browser, and select the 'Open Clip' command, what happens?

  • 17

    What is the fastest, easiest way to duck audio levels in the Timeline?

  • 18

    Using the 'Audio Record' function inside of Final Cut Pro, how does the new audio file get placed in the Timeline?

  • 19

    What does Lookahead do in an audio effect?

  • 20

    How do you mute (or disable) a clip in the Timeline?

Final Cut Pro FastTrack 201
Pro Audio Techniques
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