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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
The classic Glyn Johns technique uses:
12 microphones
2 overheads
1 overhead, 1 side, 1 kick, 1 snare mic
1 overhead and 1 side mic
2
Kick In mics are almost always a __________ mic.
Electret
Large Diaphragm Condenser
Ribbon
Large Diaphragm Dynamic
3
Always angle tom mics to avoid over resonating the microphone. True or false?
False
True
4
Which type of filter is helpful for reducing pedal noise on the hi hat?
Bandpass
Low Pass
Notch
High Pass
5
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
True
False
6
Blending the Wet and Dry signal in a compressor applies:
FET compression
Parallel compression
Opto compression
Multiband compression
7
Which mics give the drum kit a sense of depth and 3D space?
Close Mics
Snare Side and Kick Out
Room Mics
Overheads
8
Snare side mics are typically:
Dynamic Mics
Large Diaphragm Condensers
Ribbon Mics
Small Diaphragm Condensers
9
Peak drum levels should typically be set around:
-3 to -9 dBFS
-20 to -30 dBFS
-30 to -50 dBFS
0 to -3 dBFS
10
Which type of miking limits the pickup range of the mic on drums?
Off-axis
Distant
Close, on-axis
11
Which of the following overhead techniques has the widest stereo image?
XY
ORTF
Glyn Johns Variant
Spaced Pair
12
Where is most of the hi-hat heard in most drum mixes?
The room mics
The hi-hat mic
The snare mic
The overhead mics
13
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
NOS
XY
ORTF
Blumlein
14
Which of the following is a common kick mic known for its punch and body?
Audix D6
Sennheiser e906
Shure SM57
Shure SM7B
15
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Large Diaphragm Dynamic
Large Diaphragm Condenser
Small Diaphragm Condenser
Ribbon
16
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
True
False
17
Angling both overheads equidistant at the center of the snare:
Reduces phase issues, and centers the snare
Reduces phase issues, but makes the snare off-center
Increases phase issues, but centers the snare
18
Low level signals will be affected the same a high level signals running through a compressor. True or false?
True
False
19
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Shorter
Longer
20
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
False
True
21
When recording live drums, it's common to blend close mics with distant mics. True or false?
False
True
22
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
2000 Hz
500 Hz
100 Hz
50 Hz
23
How should condensers be aimed for bongos and congas?
At the center of the drum, 6 inches away
At the rim, 8-12 inches away
At the center of the drum, 12 inches away
24
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Has a high pass switch
Clips on the rim of the drum
Requires phantom power
Has a high pick up range
Logic Pro 503
Studio Series - Recording Drums
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