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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
ORTF
NOS
Blumlein
XY
2
How should condensers be aimed for bongos and congas?
At the rim, 8-12 inches away
At the center of the drum, 12 inches away
At the center of the drum, 6 inches away
3
Kick In mics are almost always a __________ mic.
Ribbon
Electret
Large Diaphragm Condenser
Large Diaphragm Dynamic
4
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Has a high pass switch
Clips on the rim of the drum
Requires phantom power
Has a high pick up range
5
Where is most of the hi-hat heard in most drum mixes?
The room mics
The hi-hat mic
The overhead mics
The snare mic
6
Which of the following overhead techniques has the widest stereo image?
Spaced Pair
Glyn Johns Variant
ORTF
XY
7
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Ribbon
Small Diaphragm Condenser
Large Diaphragm Condenser
Large Diaphragm Dynamic
8
Which of the following is a common kick mic known for its punch and body?
Shure SM7B
Audix D6
Shure SM57
Sennheiser e906
9
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
True
False
10
Which mics give the drum kit a sense of depth and 3D space?
Close Mics
Overheads
Room Mics
Snare Side and Kick Out
11
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Longer
Shorter
12
Angling both overheads equidistant at the center of the snare:
Reduces phase issues, but makes the snare off-center
Reduces phase issues, and centers the snare
Increases phase issues, but centers the snare
13
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
50 Hz
2000 Hz
500 Hz
100 Hz
14
The classic Glyn Johns technique uses:
12 microphones
1 overhead and 1 side mic
2 overheads
1 overhead, 1 side, 1 kick, 1 snare mic
15
When recording live drums, it's common to blend close mics with distant mics. True or false?
True
False
16
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
True
False
17
Which type of filter is helpful for reducing pedal noise on the hi hat?
Bandpass
Low Pass
Notch
High Pass
18
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
False
True
19
Which type of miking limits the pickup range of the mic on drums?
Off-axis
Distant
Close, on-axis
20
Peak drum levels should typically be set around:
0 to -3 dBFS
-30 to -50 dBFS
-20 to -30 dBFS
-3 to -9 dBFS
21
Blending the Wet and Dry signal in a compressor applies:
FET compression
Multiband compression
Parallel compression
Opto compression
22
Snare side mics are typically:
Ribbon Mics
Dynamic Mics
Small Diaphragm Condensers
Large Diaphragm Condensers
23
Low level signals will be affected the same a high level signals running through a compressor. True or false?
False
True
24
Always angle tom mics to avoid over resonating the microphone. True or false?
False
True
Logic Pro 503
Studio Series - Recording Drums
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