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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
True
False
2
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
XY
NOS
ORTF
Blumlein
3
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Large Diaphragm Condenser
Ribbon
Small Diaphragm Condenser
Large Diaphragm Dynamic
4
Low level signals will be affected the same a high level signals running through a compressor. True or false?
False
True
5
Always angle tom mics to avoid over resonating the microphone. True or false?
False
True
6
Which of the following overhead techniques has the widest stereo image?
ORTF
XY
Spaced Pair
Glyn Johns Variant
7
Where is most of the hi-hat heard in most drum mixes?
The snare mic
The hi-hat mic
The room mics
The overhead mics
8
How should condensers be aimed for bongos and congas?
At the center of the drum, 6 inches away
At the center of the drum, 12 inches away
At the rim, 8-12 inches away
9
The classic Glyn Johns technique uses:
2 overheads
12 microphones
1 overhead, 1 side, 1 kick, 1 snare mic
1 overhead and 1 side mic
10
Which type of filter is helpful for reducing pedal noise on the hi hat?
Low Pass
Bandpass
High Pass
Notch
11
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
False
True
12
Kick In mics are almost always a __________ mic.
Electret
Large Diaphragm Condenser
Large Diaphragm Dynamic
Ribbon
13
When recording live drums, it's common to blend close mics with distant mics. True or false?
True
False
14
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
False
True
15
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Shorter
Longer
16
Which mics give the drum kit a sense of depth and 3D space?
Room Mics
Close Mics
Overheads
Snare Side and Kick Out
17
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
500 Hz
2000 Hz
50 Hz
100 Hz
18
Peak drum levels should typically be set around:
-30 to -50 dBFS
-3 to -9 dBFS
0 to -3 dBFS
-20 to -30 dBFS
19
Blending the Wet and Dry signal in a compressor applies:
Opto compression
FET compression
Multiband compression
Parallel compression
20
Snare side mics are typically:
Dynamic Mics
Large Diaphragm Condensers
Small Diaphragm Condensers
Ribbon Mics
21
Which of the following is a common kick mic known for its punch and body?
Sennheiser e906
Audix D6
Shure SM57
Shure SM7B
22
Angling both overheads equidistant at the center of the snare:
Reduces phase issues, and centers the snare
Increases phase issues, but centers the snare
Reduces phase issues, but makes the snare off-center
23
Which type of miking limits the pickup range of the mic on drums?
Close, on-axis
Distant
Off-axis
24
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Has a high pass switch
Clips on the rim of the drum
Requires phantom power
Has a high pick up range
Logic Pro 503
Studio Series - Recording Drums
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