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Take a 20 question quiz to test and certify your knowledge of the tutorial-video course
Music Theory 302 - Jordan Rudess: Rhythm Explored.
Get a mark of 80% or higher to pass this quiz!
Half notes are held for:
half of a beat
When you are holding a note for 4 beats, you are playing a...
If you're playing a pattern of 5 ascending notes in a group of 4 you are:
playing in 5/4
using rhythmic motion
As human beings, we feel very comfortable with:
Patterns and repetition
What is the most common way to play in 7/4?
In 3 and 4
In 4 and 3
In 5 and 2
In 2 and 5
How can you stay in 4/4 and give the impression of using a lot of time signatures?
By changing accents
By playing very fast
By using rhythmic anticipation
Adding rhythmic motion between the chords is a little like strumming on a guitar. True or false?
Polyrhythm is two (or more) ______ played against each other.
No matter how complicated it gets, you can usually break down any rhythms into:
groups of two and three notes
How can you practice Jordan's Brain Twister?
You clap your hands on the 2 and 4
You play a 5 over 3 polyrhythm
You play displaced septuplets in 7/8 with a latin feel
You start by playing quarter notes and you add one more division every beat
Which composer was known to mix quintuplets, triplets, sixteenth notes, etc.?
Johann Sebastian Bach
Ludwig van Beethoven
What is the most simple meter in music?
If you put five divisions to the beat...
you are playing quintuplets
you are using a pentatonic scale
you are playing in 5/8
you shouldn't be playing music
If you're playing 3 eight notes followed by 2 eight notes in a measure, you are playing in:
Don't play that. Always stay in 4/4... it's safer!
What is the most common way to play in 5/4?
In 3 and 2
In 1 and 4
In 2 and 3
In 4 and 1
The "Dream Theater Turnaround" happens on just about every Dream Theater record. True or false?
What is the "Dream Theater Turnaround"?
A I-♭III-♭VI-♭II7 chord progression played in 7/8
A V-IV-I chord progression at the end of a section which leads to the next section
An idea where you turn a 6/8 feel into 3/4
A short chord progression at the end of a section which leads to the next section
When playing Polyrhythms...
none of the notes are played together
none of the notes are played together, except on the 1st and last beats
none of the notes are played together, except on the last beat
none of the notes are played together, except on the 1st beat
What technique are you using if you're playing simple chords right on the beat every measure, and then you accent a chord right before the beat?
When playing with a latin type of feel, the bass is always on the beat. True or false?
Music Theory 302
Jordan Rudess: Rhythm Explored
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