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Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 104 - Clarinets, Saxophones and Bassoons.
Get a mark of 80% or higher to pass this quiz!
1
The best way to hold onto the information you've learned in this course is to...
get an orchestration manual, score-read, and compose for musicians directly.
move quickly on to studying the brass section because woodwinds don't matter.
watch this course over and over and don't worry about anything else.
2
There are three individual families of orchestral woodwind instruments. True or false?
False
True
3
The clarinet's low range...
is composed of highly compressed partials.
tends to honkiness like the oboe's lower register.
has a smooth level of projection throughout.
tends to be weaker and more wavering like the flute's lower register.
4
In Tchaikovsky's 6th Symphony, the bass clarinet is often called upon to...
substitute for solo English horn.
dove-tail a phrase from solo oboe.
substitute for solo clarinet.
substitute for solo bassoon.
5
Bassoons sound great in alliances...
only with other members of the wind section.
with nearly every other instrument in the orchestra.
only with lower string instruments like cellos and double basses.
only with lower brass instruments like trombones and tubas.
6
The contrabassoon's projection...
is about equal to the lower brass.
is louder than the lower brass.
can be easily swamped by the lower brass.
7
The E-flat clarinet should be used...
for playing any high clarinet solo passage.
for its specific timbre in any given register.
especially for its rich low register.
instead of piccolo flute wherever possible.
8
The A clarinet...
is just as prevalent an instrument as B-flat clarinet in all styles and levels of music.
has a much much darker sound than the B-flat clarinet.
is chiefly used for the ease of fingering sharp keys.
is largely unnecessary in concert music scoring.
9
The jazz saxophone mouthpiece tends to make the instrument louder. True or false?
True
False
10
Changeovers between bassoon and contrabassoon are relatively fast and simple. True or false?
True
False
11
Clarinets don't use vibrato in their normal approach to playing concert music. True or false?
True
False
12
The lowest note of the tenor saxophone reaches...
a major 3rd below the lowest note of the viola.
an octave above the lowest note of the bassoon.
a minor 3rd below the lowest note of the viola.
an octave below the lowest note of the viola.
13
The contrabass clarinet sounds...
two octaves lower than the B-flat clarinet.
an octave and a major 6th lower than the B-flat clarinet.
a major 9th lower than the B-flat clarinet.
two octaves and a major 2nd lower than the B-flat clarinet.
14
The unison doubling of two exposed clarinets...
sounds cutting and trumpet-like.
blends together imperceptibly as a single tone.
has a phased sound.
15
The bassoon's tone...
gains richness toward the top and loses richness toward the bottom of its range.
gains richness toward the bottom and loses richness toward the top of its range.
is equally rich throughout its range.
is richest in its middle register.
16
A good rule of thumb in scoring orchestral saxophones is to...
always treat saxophones as soloists and never try to blend them.
join with similar-sounding instruments for a less integrated texture.
avoid similar-sounding instruments when you want to highlight the part.
use similar-sounding instruments when you want to highlight the part.
17
The buzzy, reedy quality of the saxophone tends to get...
less pronounced the lower the pitch of the note and range of the instrument.
stay the same throughout the ranges and registers of all saxophones.
more pronounced the lower the pitch of the note and range of the instrument.
18
The basset horn's written notes sound...
down an octave like bass clarinet.
down a perfect 5th exactly like the French horn and English horn.
down a minor third like oboe d'amore.
down a major 6th like alto clarinet and alto saxophone.
19
The bassoon's low register comprises 20 fundamental tones. True or false?
True
False
20
Saxophones use a double-reed mouthpiece very much like a bassoon. True or false?
False
True
21
The German system of bass clef notation...
uses bass clef sounding down a major second, and should no longer be used.
uses bass clef sounding down a major second, and is the preferred approach.
uses treble clef sounding down a major ninth, and is the preferred approach.
uses bass clef sounding down a major ninth, and should no longer be used.
Orchestration 104
Clarinets, Saxophones and Bassoons
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