Library
Articles
Pricing
Faculty
AudioPedia
Support
Login
Sign Up
Share
Go
or browse by category
Audio
Video
Graphics
Productivity
Web
Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 104 - Clarinets, Saxophones and Bassoons.
Get a mark of 80% or higher to pass this quiz!
1
The basset horn's written notes sound...
down a minor third like oboe d'amore.
down an octave like bass clarinet.
down a major 6th like alto clarinet and alto saxophone.
down a perfect 5th exactly like the French horn and English horn.
2
In Tchaikovsky's 6th Symphony, the bass clarinet is often called upon to...
substitute for solo English horn.
substitute for solo clarinet.
dove-tail a phrase from solo oboe.
substitute for solo bassoon.
3
The jazz saxophone mouthpiece tends to make the instrument louder. True or false?
True
False
4
The best way to hold onto the information you've learned in this course is to...
get an orchestration manual, score-read, and compose for musicians directly.
move quickly on to studying the brass section because woodwinds don't matter.
watch this course over and over and don't worry about anything else.
5
Clarinets don't use vibrato in their normal approach to playing concert music. True or false?
False
True
6
The buzzy, reedy quality of the saxophone tends to get...
stay the same throughout the ranges and registers of all saxophones.
less pronounced the lower the pitch of the note and range of the instrument.
more pronounced the lower the pitch of the note and range of the instrument.
7
Changeovers between bassoon and contrabassoon are relatively fast and simple. True or false?
False
True
8
The bassoon's tone...
is equally rich throughout its range.
gains richness toward the bottom and loses richness toward the top of its range.
is richest in its middle register.
gains richness toward the top and loses richness toward the bottom of its range.
9
Saxophones use a double-reed mouthpiece very much like a bassoon. True or false?
True
False
10
The contrabassoon's projection...
is louder than the lower brass.
is about equal to the lower brass.
can be easily swamped by the lower brass.
11
The clarinet's low range...
has a smooth level of projection throughout.
tends to honkiness like the oboe's lower register.
tends to be weaker and more wavering like the flute's lower register.
is composed of highly compressed partials.
12
There are three individual families of orchestral woodwind instruments. True or false?
False
True
13
The German system of bass clef notation...
uses treble clef sounding down a major ninth, and is the preferred approach.
uses bass clef sounding down a major second, and should no longer be used.
uses bass clef sounding down a major ninth, and should no longer be used.
uses bass clef sounding down a major second, and is the preferred approach.
14
The E-flat clarinet should be used...
for its specific timbre in any given register.
for playing any high clarinet solo passage.
instead of piccolo flute wherever possible.
especially for its rich low register.
15
The lowest note of the tenor saxophone reaches...
a major 3rd below the lowest note of the viola.
an octave above the lowest note of the bassoon.
an octave below the lowest note of the viola.
a minor 3rd below the lowest note of the viola.
16
Bassoons sound great in alliances...
with nearly every other instrument in the orchestra.
only with lower string instruments like cellos and double basses.
only with lower brass instruments like trombones and tubas.
only with other members of the wind section.
17
The A clarinet...
is largely unnecessary in concert music scoring.
is just as prevalent an instrument as B-flat clarinet in all styles and levels of music.
has a much much darker sound than the B-flat clarinet.
is chiefly used for the ease of fingering sharp keys.
18
A good rule of thumb in scoring orchestral saxophones is to...
always treat saxophones as soloists and never try to blend them.
use similar-sounding instruments when you want to highlight the part.
avoid similar-sounding instruments when you want to highlight the part.
join with similar-sounding instruments for a less integrated texture.
19
The unison doubling of two exposed clarinets...
has a phased sound.
blends together imperceptibly as a single tone.
sounds cutting and trumpet-like.
20
The contrabass clarinet sounds...
two octaves and a major 2nd lower than the B-flat clarinet.
two octaves lower than the B-flat clarinet.
a major 9th lower than the B-flat clarinet.
an octave and a major 6th lower than the B-flat clarinet.
21
The bassoon's low register comprises 20 fundamental tones. True or false?
True
False
Orchestration 104
Clarinets, Saxophones and Bassoons
You have answered
0
out of 21
questions.
You must
login
to take this quiz.
If you do not have an account, please
sign up
.
Get Your Grade
Cancel Quiz
Nice try! Unfortunately you didn't have enough correct answers to pass the quiz. No sweat! You can retake a quiz once per day.
-
-
You need 80% to pass this quiz
Retake Quiz
Back to the Course
View My Grades
Feedback
How are we doing?
We'd love your thoughts, feedback and questions regarding our new site. All feedback is appreciated!
We do not respond to this form! If you need support, please visit our
support page
.
Thank you for your input!
Your message has been successfully sent
Course Advisor
Don't Know Where To Start?
Ask A Course Advisor
Ask Us!
Copy the link below and paste it into an email, forum, or Facebook to share this with your friends.
copy
Make money when you share our links
Become a macProVideo.com Affiliate!
The current affiliate rate is: 50%
Sign Up
Facebook
Twitter
Linkedin
Google+
Reddit
Pinterest
Classes Start Next Week!
Live 8-week Online Certification Classes for:
Logic Pro
Learn More
Ableton Live
Learn More
Bitwig
Learn More
