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Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 104 - Clarinets, Saxophones and Bassoons.
Get a mark of 80% or higher to pass this quiz!
1
The buzzy, reedy quality of the saxophone tends to get...
stay the same throughout the ranges and registers of all saxophones.
more pronounced the lower the pitch of the note and range of the instrument.
less pronounced the lower the pitch of the note and range of the instrument.
2
Changeovers between bassoon and contrabassoon are relatively fast and simple. True or false?
True
False
3
The best way to hold onto the information you've learned in this course is to...
move quickly on to studying the brass section because woodwinds don't matter.
watch this course over and over and don't worry about anything else.
get an orchestration manual, score-read, and compose for musicians directly.
4
The contrabass clarinet sounds...
two octaves and a major 2nd lower than the B-flat clarinet.
an octave and a major 6th lower than the B-flat clarinet.
two octaves lower than the B-flat clarinet.
a major 9th lower than the B-flat clarinet.
5
Saxophones use a double-reed mouthpiece very much like a bassoon. True or false?
False
True
6
The contrabassoon's projection...
is louder than the lower brass.
can be easily swamped by the lower brass.
is about equal to the lower brass.
7
The lowest note of the tenor saxophone reaches...
an octave above the lowest note of the bassoon.
an octave below the lowest note of the viola.
a major 3rd below the lowest note of the viola.
a minor 3rd below the lowest note of the viola.
8
The jazz saxophone mouthpiece tends to make the instrument louder. True or false?
True
False
9
There are three individual families of orchestral woodwind instruments. True or false?
True
False
10
The clarinet's low range...
tends to honkiness like the oboe's lower register.
tends to be weaker and more wavering like the flute's lower register.
is composed of highly compressed partials.
has a smooth level of projection throughout.
11
The A clarinet...
is largely unnecessary in concert music scoring.
is chiefly used for the ease of fingering sharp keys.
has a much much darker sound than the B-flat clarinet.
is just as prevalent an instrument as B-flat clarinet in all styles and levels of music.
12
The unison doubling of two exposed clarinets...
has a phased sound.
sounds cutting and trumpet-like.
blends together imperceptibly as a single tone.
13
Clarinets don't use vibrato in their normal approach to playing concert music. True or false?
True
False
14
A good rule of thumb in scoring orchestral saxophones is to...
avoid similar-sounding instruments when you want to highlight the part.
use similar-sounding instruments when you want to highlight the part.
always treat saxophones as soloists and never try to blend them.
join with similar-sounding instruments for a less integrated texture.
15
The basset horn's written notes sound...
down a major 6th like alto clarinet and alto saxophone.
down an octave like bass clarinet.
down a minor third like oboe d'amore.
down a perfect 5th exactly like the French horn and English horn.
16
In Tchaikovsky's 6th Symphony, the bass clarinet is often called upon to...
dove-tail a phrase from solo oboe.
substitute for solo English horn.
substitute for solo bassoon.
substitute for solo clarinet.
17
The bassoon's low register comprises 20 fundamental tones. True or false?
True
False
18
The bassoon's tone...
gains richness toward the bottom and loses richness toward the top of its range.
gains richness toward the top and loses richness toward the bottom of its range.
is equally rich throughout its range.
is richest in its middle register.
19
The E-flat clarinet should be used...
instead of piccolo flute wherever possible.
especially for its rich low register.
for its specific timbre in any given register.
for playing any high clarinet solo passage.
20
Bassoons sound great in alliances...
only with lower string instruments like cellos and double basses.
with nearly every other instrument in the orchestra.
only with lower brass instruments like trombones and tubas.
only with other members of the wind section.
21
The German system of bass clef notation...
uses bass clef sounding down a major second, and should no longer be used.
uses treble clef sounding down a major ninth, and is the preferred approach.
uses bass clef sounding down a major ninth, and should no longer be used.
uses bass clef sounding down a major second, and is the preferred approach.
Orchestration 104
Clarinets, Saxophones and Bassoons
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