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Take a 22 question quiz to test and certify your knowledge of the tutorial-video course
Pro Tools 105 - Mastering Essentials.
Get a mark of 80% or higher to pass this quiz!
1
M-S processing converts L/R stereo audio to...
a mono signal to stereo
a Mid (sum) channel and a Sides (difference) channel
a Max (high-level) channel and a Soft (low-level) channel
5.1 surround audio with simulated rear channel ambience
2
Pro Tools' included EQs are:
linear-phase EQs
switchable between minimum-phase & linear-phase
dynamic EQs
standard minimum-phase EQs
3
What is Mastering?
The final stage of audio production
The same as Mixing
A processing only done for analog media
The process of duplicating a final mix
4
The new level scale used for Loudness Normalization is...
the dBu scale
the LUFS scale
the dB scale
the dBspl scale
5
In a typical mastering session...
you must always apply brickwall limiting before setting the other processing
you should never A/B the song against other songs during mastering
you might work on EQ & compression before applying brickwall limiting
you should apply reverb first
6
Two additional processors that might be used in mastering are...
an exciter and a reverb
an enhancer and a slap echo
delay and reverb
a chorus and a flanger
7
In the Avid Pro Multiband compressor, Slope...
is a combination Ratio/Knee control
is a frequency tilt EQ to augment the compression
is a smiling EQ
is a combined Attack/Release control
8
A brickwall limiter...
absolutely cuts the audio above a set frequency, before limiting
absolutely prevents the signal from exceeding a set Threshold
absolutely cuts the audio below a set frequency, before limiting
is used for brick wall limiting
9
Which of the following compressors is included with Pro Tools?
Compressor/Limiter III, Channel Strip Compressor and BF-76
Compressor/Limiter III
Channel Strip Compressor
BF-76
10
A vectorscope displays:
the relative phase between the left and right channels
the instantaneous level of an audio signal that is passing through
the average loudness over the length of the song
the dynamic frequency balance of the song
11
The best approach to mastering multiple songs is to...
use the same chain of mastering processors for all the songs
master all the song in the same project
use a separate chain of mastering processors for each song
open each song in a separate Pro Tools session
12
Mastering activities that can be performed in Pro Tools include:
multiband compression
EQ, compression, and brickwall limiting
M-S processing
EQ, compression, brickwall limiting, multiband compression, and M-S processing
13
An Offline Bounce...
should be avoided
renders the new file in real time while playing the audio
can only be done when disconnected from the internet
renders the new file silently in faster-then-real time
14
You can implement M-S processing in Pro Tools by...
Pro Tools does not include any M-S plug-ins so it can't be done
exporting the audio to a third-party standalone M-S application
M/S processing is a myth. It doesn't exist.
inserting multi-mono plug-ins between LR->MS and MS->LR plug-ins
15
Character processors are typically plug-ins that...
special effect processors that are applied on top of standard processing
are designed by famous engineers
remotely control an actual external hardware unit
emulate the sound & response of analog hardware
16
A standard chain for mastering processing would be:
EQ, Comrpession, Reverb
EQ, Delay, Reverb
EQ, Compression, Limiting
EQ, Limiting, Reverb
17
A common approach to mastering compression uses...
a very high Threshold and a very fast Attack
stacking 5 compressors in a row
a very high Ratio and a very fast Attack
lower Ratio and lower Threshold settings
18
When EQ'ing, a smile curve is...
a broad, gentle boost of the highs & lows
the application of both highpass & lowpass filters
a broad midrange boost centered around 1kHz
a great-sounding EQ guaranteed to make the listener smile
19
When A/B'ing the masters-in-progress against commercial reference tracks...
the average levels should be level-matched for valid comparison
the masters and reference tracks should be played simultaneously
the masters-in-progress should always be 6dB louder than the reference tracks
you should never A/B your track against commercial releases
20
To comply with most modern Loudness standards, a good setting would be...
a ceiling of 10 dBfs
a ceiling of -14 dBfs
a ceiling of -1dBTP
a ceiling of -.3dBfs
21
In the analog era, mastering was primarily done to...
transfer a mix from vinyl to tape
create a stereo mix from a mono mix
create hotter CDs
transfer a mix from tape to vinyl
22
Multiband compression...
applies independent compression in several frequency bands
is used place of a saturator
is used in place of brickwall limiting
chains several mastering compressors in sequence
Pro Tools 105
Mastering Essentials
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