If you're feeling like a goody-two shoes today then skip this article. Seriously, don't click to read more'¦ unless, that is, you're ready for GW Childs to seduce you with evil leads in Reason 6.
Vocoders. You've got to love them! They seemingly never go out of fashion, and they have so much to offer across a wide range of genres. G.W. Childs creates better pads in Reason using the BV512.
Guitar effects aren't only for guitarists! Hollin Jones takes some of the best guitar effects that Reason has to offer and applies them to a synth bass. Read and listen to the results...
Switch on the radio or TV and you'll hear the use of samples in music or foley. They're everywhere! G.W. Childs shares 3 tips for Propellerhead Reason users on making best use of our sample libraries.
With so many instruments and effects to choose from, how do you go about improving your lead sounds in Reason? Simple. Read and follow along with this step-by-step article by G. W. Childs.
Reason 6 is packed with instruments, effects, little-known shortcuts and tricks. But at first glance there is no high-pass filter'¦ or is there? Mo Volans digs below the surface to undercover this gem.
What do you get when you combine Propellerhead Reason's Rack modules with some Photoshop trickery and skill? Answer: Your own personalized, modded backdrops in Reason. Toby Pitman gets hacking.
Hardware controllers remain ever popular for digital musicians. But with the limitless number of devices, and therefore, parameters in Reason how can they all be controlled? Enter Remote Overrides...
Creating Combinators in Reason 6 provides a custom mix of your own sounds in one 'box', and allows for all sorts of wizardry and creativity. G.W. Childs brings it all together for Hip-Hop lovers.
Learn how to recreate the grooving bass sound from the club-land classic hit track, Dirty Vegas' "Days Go By" using in Reason. This hypnotic bass groove will grab you and your listeners.
In this Sound Design tutorial, GW Childs reminisces about love, life and music. In the process he shares how to use Reason to create the guitar section from Lil' Wayne's sultry classic, 'How to Love'.
Getting fatter basses in Reason became a lot easier when Thor was introduced. But there's a more old school method to getting distinctive, bigger bass sounds. G.W. reveals his tricks of the trade.
Audio ambience is crucial in both the audio and video world! In this tutorial GW Childs IV, veteran video game sound designer, shows his secrets behind using Reason as an ambient machine!
One of the most overlooked tools in Reason has to be the LFOs present in synthesizers like the Subtractor, Malstrom, Thor, etc. GW Childs take a closer look at the available LFOs in Reason.